Stephanie
My work explores the relationship between acquired synesthesia and emotional memories.
With influences as diverse as Caravaggio and John Lennon, new synergies are generated from both opaque and transparent layers.
Ever since I was a postgraduate I have been fascinated by the traditional understanding of the human condition. What starts out as contemplation soon becomes debased into a hegemony of lust, leaving only a sense of unreality and the inevitability of a new beginning.
As wavering derivatives become frozen through studious and repetitive practice, the viewer is left with an insight into the inaccuracies of our era.
My work explores the relationship between Critical theory and copycat violence.
With influences as diverse as Nietzsche and Miles Davis, new insights are generated from both simple and complex narratives.
Ever since I was a child I have been fascinated by the theoretical limits of the mind. What starts out as triumph soon becomes manipulated into a dialectic of defeat, leaving only a sense of decadence and the possibility of a new understanding.
As momentary derivatives become transformed through frantic and academic practice, the viewer is left with a tribute to the inaccuracies of our era.
My work explores the relationship between Jungian archetypes and multimedia experiences.
With influences as diverse as Rousseau and Andy Warhol, new combinations are manufactured from both simple and complex meanings.
Ever since I was a postgraduate I have been fascinated by the ephemeral nature of the zeitgeist. What starts out as contemplation soon becomes manipulated into a manifesto of defeat, leaving only a sense of decadence and the possibility of a new reality.
As wavering derivatives become transformed through emergent and diverse practice, the viewer is left with an epitaph for the outposts of our culture.
My work explores the relationship between the Military-Industrial Complex and counter-terrorism.
With influences as diverse as Machiavelli and Miles Davis, new combinations are distilled from both constructed and discovered layers.
Ever since I was a student I have been fascinated by the unrelenting divergence of the zeitgeist. What starts out as vision soon becomes corrupted into a tragedy of greed, leaving only a sense of nihilism and the prospect of a new reality.
As wavering derivatives become clarified through studious and critical practice, the viewer is left with a hymn to the limits of our culture.
My work explores the relationship between the Military-Industrial Complex and UFO sightings.
With influences as diverse as Kierkegaard and John Lennon, new variations are crafted from both constructed and discovered dialogues.
Ever since I was a postgraduate I have been fascinated by the endless oscillation of the moment. What starts out as yearning soon becomes corrupted into a carnival of lust, leaving only a sense of what could have been and the chance of a new order.
As momentary replicas become distorted through emergent and critical practice, the viewer is left with an epitaph for the darkness of our world.
My work explores the relationship between the universality of myth and recycling culture.
With influences as diverse as Kierkegaard and Andy Warhol, new combinations are crafted from both traditional and modern narratives.
Ever since I was a student I have been fascinated by the theoretical limits of meaning. What starts out as vision soon becomes finessed into a hegemony of power, leaving only a sense of what could have been and the unlikelihood of a new reality.
As temporal phenomena become transformed through emergent and personal practice, the viewer is left with a clue to the inaccuracies of our era.
My work explores the relationship between Jungian archetypes and romance tourism.
With influences as diverse as Rousseau and Buckminster Fuller, new combinations are created from both traditional and modern discourse.
Ever since I was a child I have been fascinated by the essential unreality of the zeitgeist. What starts out as triumph soon becomes manipulated into a tragedy of greed, leaving only a sense of what could have been and the inevitability of a new reality.
As momentary forms become reconfigured through diligent and academic practice, the viewer is left with a testament to the inaccuracies of our era.
Non-Arty Bollocks content © Skullcrusher Ceramics 2016